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Shows" The righteous woman, a great text of the Circular
Márai Bet. Cecilia Baranda at the War II Hungary

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CARLOS REYES

A widely read novelist in Uruguay and around the world comes at the Teatro Circular stage version. This is Sandor Marai, whose book "The righteous woman" is being presented under the direction of Cecilia Baranda, also responsible for the release.

Through a story of love and betrayal, the talented Hungarian novelist wrote a fresh describing social differences and tear they generate. In it, the characters live removedoras personal journeys in the context of the Second World War, particularly the siege of Budapest. This historical juncture is staged by Natalia Acosta, Claudio Castro, Denise Daragnés, Cecilia Lema and Oliver Luzar, who from Friday to Sunday interpret this profound human experience.
"It really took a lot of work to bring the text to the stage. The novel, I caught up with Jorge Curi in 2008 with the idea of \u200b\u200bstaging the three monologues. But the text I was fascinated by the power of images: everything was very interested in the topic social classes and how the characters were stigmatized. I think in the novel there are two struggles: one of the characters and their inner world (which are like prisoners), and another in the context of World War II, and thus loss of identity and culture, "Baranda told El Pais.

Instead of adapting the monologues on stage, the director chose to seek the essence of each, and character profiles, to mingle their voices. He also introduced on stage who tells the story, both because each character had an interesting relationship with him, for his critical political perspective, which lines up against the Nazis and against the Russian invasion.

version was completed in early 2009, but for reasons of agenda could not be performed at the Victoria Theatre, and offered it to the Circular Rail, which is being presented on Fridays and Saturdays at 21 pm and Sundays at 19.30 hours. "I think the cast found a very specific form of action, precise film, because it will work calls. Because they are stories with a strong force, which require that the viewer is not distracted. They are small scenes that occur throughout the room two, in different places and times. And we were happy with the result, because sometimes you read a novel, you imagine, and then you see the version and it costs a little reacquaint yourself with the text ".

The director stresses the contribution of technical areas where the clothing was Soledad by Capurro, who sought to describe the profiles of the characters and their respective social classes. Fernando Ulivi devised an original music, which refers to both the Hungarian folk music as the composers Béla Bartók and other scholars. For his part, Hugo Millán assembled a stark stage setting, which makes the two levels of the hall on the bridges of Budapest.

"By bringing the text to film the scene I imagined, especially Bergman, very close. Because this is not Chekhov, it is rather like Pinter. The book has many silences, but the characters are not Chekhovian, do not come in inertia, but are always ready to explode. At that had the invaluable support of the people of the Hungarian Home, which helped me understand how to be Hungarians. They explained that they are people with great restraint capable of keeping a secret for years, and I gave on how to address the implementation and performance.'s tone the play is muted, and the actors move from one state to another in seconds, and living that state as possible, but always so content. "


El Pais Digital
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